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Posthumous portrait
Du Fu (Chinese: 杜甫; pinyin: Dù Fǔ; Wade–Giles: Tu Fu; 712–770) was a Chinese poet and politician during the Tang dynasty. Together with his elder contemporary and friend Li Bai, Du is often considered one of the greatest Chinese poets. His greatest ambition was to serve his country as a successful civil servant, but Du proved unable to make the necessary accommodations. His life, like all of China, was devastated by the An Lushan rebellion of 755, and his last 15 years were a time of almost constant unrest.
Although initially he was little-known to other writers, his works came to be hugely influential in both Chinese and Japanese literary culture. Of his poetic writing, nearly fifteen hundred poems have been preserved over the ages. He has been called the "Poet-Historian" and the "Poet-Sage" by Chinese critics, while the range of his work has allowed him to be introduced to Western readers as "the Chinese Virgil, Horace, Ovid, Shakespeare, Milton, Burns, Wordsworth, Béranger, Hugo or Baudelaire". (Full article...)
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A Western Han painted ceramic jar with raised reliefs of dragons, phoenixes, and taotie designs The Han dynasty (202 BC – 220 AD) was the second imperial dynasty of China, following the Qin dynasty (221–207 BC). It was divided into the periods of Western (Former) Han (202 BC – 9 AD) and Eastern (Later) Han (25–220 AD), briefly interrupted by the Xin dynasty (9–23 AD) of Wang Mang. The capital of Western Han was Chang'an, and the capital of Eastern Han was Luoyang. The emperor headed the government, promulgating all written laws, serving as commander-in-chief of the armed forces, and presiding as the chief executive official. He appointed all government officials who earned a salary of 600 bushels of grain or more (though these salaries were largely paid in coin cash) with the help of advisors who reviewed each nominee. The empress dowager could either be the emperor's actual or symbolic mother, and was in practice more respected than the emperor, as she could override his decisions; she can even make decisions on behalf of the emperor in dilemma matters of the country or for the order and continuation of the dynasty, even if necessary, with the support of the courtiers, she would decide on his successor or his dismissal. Although such a challenge was raised by the empress dowager to the emperor during the emperor's youth or incapacity. The emperor's executive powers could also be practiced by any official upon whom he bestowed the Staff of Authority. These powers included the right to execute criminals without the imperial court's permission.
Song dynasty river ship armed with a trebuchet catapult on its top deck, from the Wujing Zongyao
The Battle of Caishi (Chinese: 采石之戰) was a major naval engagement of the Jin–Song Wars of China that took place on November 26–27, 1161. It ended with a decisive Song victory, aided by their use of gunpowder weapons.
Cai Lun (Chinese: 蔡伦; courtesy name: Jingzhong (敬仲); c. 50–62 – 121 CE), formerly romanized as Ts'ai Lun, was a Chinese eunuch court official of the Eastern Han dynasty. He occupies a pivotal place in the history of paper due to his addition of pulp via tree bark and hemp ends which resulted in the large-scale manufacture and worldwide spread of paper. Although traditionally regarded as the inventor of paper, earlier forms of paper have existed since the 3rd century BCE, so Cai's contributions are limited to innovation, rather than invention.
Born in Guiyang Commandery [zh] (in what is now Leiyang), Cai arrived at the imperial court in Luoyang by 75 CE, where he served as a chamberlain for Emperor Ming, and then as Xiao Huangmen, an imperial messenger for Emperor Zhang. To assist Lady Dou in securing her adopted son as designated heir, he interrogated Consort Song and her sister, who then killed themselves. When Emperor He ascended the throne in 88 CE, Dou awarded Cai with two positions: Zhongchang shi [zh], a political counselor to the emperor that was the highest position for eunuchs of the time, and also as Shangfang Ling, where Cai oversaw the production of instruments and weapons at the Palace Workshop. (Full article...)
The modern Chinese varieties make frequent use of what are called classifiers or measure words. One use of classifiers is when a noun is qualified by a numeral or demonstrative. In the Chinese equivalent of a phrase such as "three books" or "that person", it is normally necessary to insert an appropriate classifier between the numeral/demonstrative and the noun. For example, in Standard Chinese, the first of these phrases would be: (Full article...)
After the Chinese Communist Revolution, the Party sought to memorialize their achievements through artworks. Dong was commissioned to create a visual representation of the October 1 ceremony, which he had attended. He viewed it as essential that the painting show both the people and their leaders. After working for three months, he completed an oil painting in a folk art style, drawing upon Chinese art history for the contemporary subject. The success of the painting was assured when Mao viewed it and liked it, and it was reproduced in large numbers for display in the home. (Full article...)
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A stamp of Zhang Heng issued by China Post in 1955
Zhang Heng began his career as a minor civil servant in Nanyang. Eventually, he became Chief Astronomer, Prefect of the Majors for Official Carriages, and then Palace Attendant at the imperial court. His uncompromising stance on historical and calendrical issues led to his becoming a controversial figure, preventing him from rising to the status of Grand Historian. His political rivalry with the palace eunuchs during the reign of Emperor Shun (r. 125–144) led to his decision to retire from the central court to serve as an administrator of Hejian Kingdom in present-day Hebei. Zhang returned home to Nanyang for a short time, before being recalled to serve in the capital once more in 138. He died there a year later, in 139. (Full article...)
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Tintin in Tibet (French: Tintin au Tibet) is the twentieth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. It was serialised weekly from September 1958 to November 1959 in Tintin magazine and published as a book in 1960. Hergé considered it his favourite Tintin adventure and an emotional effort, as he created it while suffering from traumatic nightmares and a personal conflict while deciding to leave his wife of three decades for a younger woman. The story tells of the young reporter Tintin in search of his friend Chang Chong-Chen, who the authorities claim has died in a plane crash in the Himalayas. Convinced that Chang has survived and accompanied only by Snowy, Captain Haddock and the Sherpa guide Tharkey, Tintin crosses the Himalayas to the plateau of Tibet, along the way encountering the mysterious Yeti.
Following The Red Sea Sharks (1958) and its large number of characters, Tintin in Tibet differs from other stories in the series in that it features only a few familiar characters and is also Hergé's only adventure not to pit Tintin against an antagonist. Themes in Hergé's story include extrasensory perception, the mysticism of Tibetan Buddhism, and friendship. Translated into 32 languages, Tintin in Tibet was widely acclaimed by critics and is generally considered to be Hergé's finest work; it has also been praised by the Dalai Lama, who awarded it the Light of Truth Award. The story was a commercial success and was published in book form by Casterman shortly after its conclusion; the series itself became a defining part of the Franco-Belgian comics tradition. Tintin in Tibet was adapted for the 1991 Ellipse/Nelvana animated series The Adventures of Tintin, the 1992–93 BBC Radio 5 dramatisation of the Adventures, the 1996 video game of the same name, and the 2005–06 Young Vic musical Hergé's Adventures of Tintin; it was also prominently featured in the 2003 documentary Tintin and I and has been the subject of a museum exhibition. (Full article...)
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Jin dynasty (blue) and Song dynasty (orange) in 1141
The Jin–Song Wars were a series of conflicts between the Jurchen-led Jin dynasty (1115–1234) and the Han-led Song dynasty (960–1279). In 1115, Jurchen tribes rebelled against their overlords, the Khitan-led Liao dynasty (916–1125), and declared the formation of the Jin. Allying with the Song against their common enemy the Liao dynasty, the Jin promised to cede to the Song the Sixteen Prefectures that had fallen under Liao control since 938. The Song agreed but the Jin's quick defeat of the Liao combined with Song military failures made the Jin reluctant to cede territory. After a series of negotiations that embittered both sides, the Jurchens attacked the Song in 1125, dispatching one army to Taiyuan and the other to Bianjing (modern Kaifeng), the Song capital.
Surprised by news of an invasion, Song general Tong Guan retreated from Taiyuan, which was besieged and later captured. As the second Jin army approached the capital, Song emperor Huizong abdicated and fled south. Qinzong, his eldest son, was enthroned. The Jin dynasty laid siege to Kaifeng in 1126, but Qinzong negotiated their retreat from the capital by agreeing to a large annual indemnity. Qinzong reneged on the deal and ordered Song forces to defend the prefectures instead of fortifying the capital. The Jin resumed war and again besieged Kaifeng in 1127. They captured Qinzong, many members of the imperial family and high officials of the Song imperial court in an event known as the Jingkang Incident. This separated north and south China between Jin and Song. Remnants of the Song imperial family retreated to southern China and, after brief stays in several temporary capitals, eventually relocated to Lin'an (modern Hangzhou). The retreat divided the dynasty into two distinct periods, Northern Song and Southern Song. (Full article...)
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Publicity photo of Anna May Wong from Stars of the Photoplay, 1930
Wong Liu Tsong (January 3, 1905 - February 3, 1961), known professionally as Anna May Wong, was an American actress, considered the first Chinese American film star in Hollywood, as well as the first Chinese American actress to gain international recognition. Her varied career spanned silent film, sound film, television, stage, and radio.
Born in Los Angeles to second-generation Taishanese Chinese American parents, Wong became engrossed in films and decided at the age of 11 that she would become an actress. Her first role was as an extra in the movie The Red Lantern (1919). During the silent film era, she acted in The Toll of the Sea (1922), one of the first films made in color, and in Douglas Fairbanks' The Thief of Bagdad (1924). Wong became a fashion icon and had achieved international stardom in 1924. Wong had been one of the first to embrace the flapper look. In 1934, the Mayfair Mannequin Society of New York voted her the "world's best dressed woman." In the 1920s and 1930s, Wong was acclaimed as one of the top fashion icons. (Full article...)
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A cannon is a large-calibergun classified as a type of artillery, which usually launches a projectile using explosive chemical propellant. Gunpowder ("black powder") was the primary propellant before the invention of smokeless powder during the late 19th century. Cannons vary in gauge, effective range, mobility, rate of fire, angle of fire and firepower; different forms of cannon combine and balance these attributes in varying degrees, depending on their intended use on the battlefield. A cannon is a type of heavy artillery weapon.
The word cannon is derived from several languages, in which the original definition can usually be translated as tube, cane, or reed. In the modern era, the term cannon has fallen into decline, replaced by guns or artillery, if not a more specific term such as howitzer or mortar, except for high-caliber automatic weapons firing bigger rounds than machine guns, called autocannons. (Full article...)
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Peking opera in Shanghai, 2014
Peking opera, or Beijing opera (Chinese: 京劇; pinyin: Jīngjù), is the most dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as Guójù (Chinese: 國劇; lit. 'National opera'). It has also spread to other regions such as the United States and Japan.
Peking opera features four main role types, sheng (gentlemen), dan (women), jing (rough men), and chou (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera characteristically sparse stage. They use the skills of speech, song, dance and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production. The layers of meaning within each movement must be expressed in time with music. The music of Peking opera can be divided into the xīpí (西皮) and èrhuáng (二黄) styles. Melodies include arias, fixed-tune melodies and percussion patterns. The repertoire of Peking opera includes over 1,400 works, which are based on Chinese history, folklore and, increasingly, contemporary life. (Full article...)
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Beato c. 1866
Felice Beato (c. 1832 – 29 January 1909), also known as Felix Beato, was an Italian–British photographer. He was one of the first people to take photographs in East Asia and one of the first war photographers. He is noted for his genre works, portraits, and views and panoramas of the architecture and landscapes of Asia and the Mediterranean region. Beato's travels gave him the opportunity to create images of countries, people, and events that were unfamiliar and remote to most people in Europe and North America. His work provides images of such events as the Indian Rebellion of 1857 and the Second Opium War, and represents the first substantial body of photojournalism. He influenced other photographers, and his influence in Japan, where he taught and worked with numerous other photographers and artists, was particularly deep and lasting. (Full article...)
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Comparison between Gwoyeu Romatzyh (top) and pinyin (bottom) for Gwoyeu Romatzyh's official name 國音字母第二式 ('Second Pattern of the National Alphabet'; middle)
Despite support from linguists both in China and overseas—including some early proponents who hoped it would eventually replace Chinese characters altogether—GR never achieved widespread use among the Chinese public, who generally lacked interest in the system or viewed it with hostility due to its complex spelling rules. In places where GR had gained traction, it was eventually replaced—largely by Hanyu Pinyin (or simply "pinyin"), which became the international standard during the 1980s, and itself follows principles originally introduced by GR. Widespread adoption of the system was also hindered by its narrow calibration to the Beijing dialect, during a period when China lacked the strong central government needed to impose use of a national spoken language. (Full article...)
... that Chinese missionary Tan See Boo moved to Singapore to work for the Presbyterian Church, but later returned to China to persuade Christians to leave the Presbyterian Church?
... that the China Folk House Retreat dismantled a Chinese folk house and rebuilt it in West Virginia?
... that Her Story was described as China's answer to Barbie?
... that Yan Ruisheng, China's first full-length feature film, was banned within two years?
Chen was abandoned as an infant, and then lost both foster parents during early childhood. Before becoming a film director, Chen worked mainly in drama. His patriotic play Put Down Your Whip was highly influential and performed countless times during the Japanese invasion of China. During the war he also made a famous staging of the play Qu Yuan, and wrote one of the first Chinese books on film theory. (Full article...)
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Satellite image of Typhoon Mangkhut A typhoon is a tropical cyclone that develops between 180° and 100°E in the Northern Hemisphere and which produces sustained hurricane-force winds of at least 119 km/h (74 mph). This region is referred to as the Northwestern Pacific Basin, accounting for almost one third of the world's tropical cyclones. The term hurricane refers to a tropical cyclone (again with sustained winds of at least 119 km/h (74 mph)) in the north central and northeast Pacific, and the north Atlantic. In all of the preceding regions, weaker tropical cyclones are called tropical storms. For organizational purposes, the northern Pacific Ocean is divided into three regions: the eastern (North America to 140°W), central (140°W to 180°), and western (180° to 100°E). The Regional Specialized Meteorological Center (RSMC) for tropical cyclone forecasts is in Japan, with other tropical cyclone warning centres for the northwest Pacific in Hawaii (the Joint Typhoon Warning Center), the Philippines, and Hong Kong. Although the RSMC names each system, the main name list itself is coordinated among 18 countries that have territories threatened by typhoons each year.
Within most of the northwestern Pacific, there are no official typhoon seasons as tropical cyclones form throughout the year. Like any tropical cyclone, there are several main requirements for typhoon formation and development. It must be in sufficiently warm sea surface temperatures, atmospheric instability, high humidity in the lower-to-middle levels of the troposphere, have enough Coriolis effect to develop a low pressure centre, a pre-existing low level focus or disturbance, and a low vertical wind shear. Although the majority of storms form between June and November, a few storms may occur between December and May (although tropical cyclone formation is very rare during that time). On average, the northwestern Pacific features the most numerous and intense tropical cyclones globally. Like other basins, they are steered by the subtropical ridge towards the west or northwest, with some systems recurving near and east of Japan. The Philippines receive the brunt of the landfalls, with China and Japan being less often impacted. However, some of the deadliest typhoons in history have struck China. Southern China has the longest record of typhoon impacts for the region, with a thousand-year sample via documents within their archives. Taiwan has received the wettest known typhoon on record for the northwest Pacific tropical cyclone basins. However, Vietnam recognises its typhoon season as lasting from the beginning of June through to the end of November, with an average of four to six typhoons hitting the country annually. (Full article...)
The Han dynasty (202 BCE – 220 CE) was a period of Imperial China divided into the Western Han (202 BCE – 9 CE) and Eastern Han (25–220 CE) periods, when the capital cities were located at Chang'an and Luoyang, respectively. It was founded by Emperor Gaozu of Han and briefly interrupted by the regime of Wang Mang (r. 9–23 CE) who usurped the throne from a child Han emperor.
Both ships were assigned to the Beiyang Fleet. Jingyuan was part of a flotilla which toured ports during the summer of 1889. Jingyuan first saw action during the First Sino-Japanese War. At the Battle of the Yalu River on 17 September 1894, she was one of the surviving Chinese cruisers, although suffered fire damage. She was sunk the following February during the Battle of Weihaiwei from a shot fired from a captured Chinese fort. She sank upright in shallow water, and Admiral Ding Ruchang gave orders for her to be destroyed by a naval mine. She was raised the following year for scrap. (Full article...)
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Ink wash painting (simplified Chinese: 水墨画; traditional Chinese: 水墨畫; pinyin: shuǐmòhuà); is a type of Chinese ink brush painting which uses washes of black ink, such as that used in East Asian calligraphy, in different concentrations. It emerged during the Tang dynasty of China (618–907), and overturned earlier, more realistic techniques. It is typically monochrome, using only shades of black, with a great emphasis on virtuoso brushwork and conveying the perceived "spirit" or "essence" of a subject over direct imitation. Ink wash painting flourished from the Song dynasty in China (960–1279) onwards, as well as in Japan after it was introduced by Zen Buddhist monks in the 14th century. Some Western scholars divide Chinese painting (including ink wash painting) into three periods: times of representation, times of expression, and historical Oriental art. Chinese scholars have their own views which may be different; they believe that contemporary Chinese ink wash paintings are the pluralistic continuation of multiple historical traditions.
In China, Japan and, to a lesser extent, Korea, ink wash painting formed a distinct stylistic tradition with a different set of artists working in it than from those in other types of painting. In China especially it was a gentlemanly occupation associated with poetry and calligraphy. It was often produced by the scholar-official or literati class, ideally illustrating their own poetry and producing the paintings as gifts for friends or patrons, rather than painting for payment. (Full article...)
The dynasty rose from the consolidation of power among the Khitans in the 8th century and their expansionist campaigns in the latter half of the 9th century. Eventually the Yila chieftain, Abaoji, became the leader of the Khitans and proclaimed a Chinese-style dynastic state in 916. The Liao dynasty launched multiple military campaigns against neighboring states and peoples including the Kumo Xi, Shiwei, Tatars, Zubu, Khongirad, Balhae, Goryeo, Later Tang, and the Song dynasty. Its conquests include the Sixteen Prefectures (including present-day Beijing and part of Hebei) by fueling a proxy war that led to the collapse of the Later Tang (923–936). In 1004, the Liao launched an expedition against the Northern Song dynasty. After heavy fighting and large casualties between the two empires, both sides worked out the Chanyuan Treaty. Through the treaty, the Liao forced the Northern Song to recognize them as peers and heralded an era of peace and stability between the two powers that lasted approximately 120 years. It was the first state to control all of Manchuria. (Full article...)
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Laozi, one of the most important gods in Lingbao Daoism The Lingbao School (simplified Chinese: 灵宝派; traditional Chinese: 靈寶派; pinyin: Líng Bǎo Pài), also known as the School of the Sacred Jewel or the School of Numinous Treasure, was an important Daoist school that emerged in China in between the Jin dynasty and the Liu Song dynasty in the early fifth century CE. It lasted for about two hundred years until it was absorbed into the Shangqing and Zhengyi currents during the Tang dynasty. The Lingbao School is a synthesis of religious ideas based on Shangqing texts, the rituals of the Celestial Masters, and Buddhist practices.
The Lingbao School borrowed many concepts from Buddhism, including the concept of reincarnation, and also some cosmological elements. Although reincarnation was an important concept in the Lingbao School, the earlier Daoist belief in attaining immortality remained. The school's pantheon is similar to Shangqing and Celestial Master Daoism, with one of its most important gods being the deified form of Laozi. Other gods also existed, some of whom were in charge of preparing spirits for reincarnation. Lingbao ritual was initially in individual practice, but later went through a transformation that put more emphasis on collective rites. The most important scripture in the Lingbao School is known as the Five Talismans (Wufujing), which was compiled by Ge Chaofu and based on Ge Hong's earlier alchemical works. (Full article...)
The number of speakers across all its dialects may be 5–6 million, including the vast majority of the residents of Mongolia and many of the ethnic Mongol residents of the Inner Mongolia of China. In Mongolia, Khalkha Mongolian is predominant, and is currently written in both Cyrillic and the traditional Mongolian script. In Inner Mongolia, it is dialectally more diverse and written in the traditional Mongolian script. However, Mongols in both countries often use the Latin script for convenience on the Internet. (Full article...)
In 2005 Chen gained international recognition for organising a landmark class-action lawsuit against authorities in Linyi, Shandong province, for the excessive enforcement of the one-child policy. As a result of this lawsuit, Chen was placed under house arrest from September 2005 to March 2006, with a formal arrest in June 2006. On August 24, 2006 Chen was sentenced to four years and three months for "damaging property and organising a mob to disturb traffic." He was released from prison in 2010 after serving his full sentence, but remained under house arrest or "soft detention" at his home in Dongshigu Village. Chen and his wife were reportedly beaten shortly after a human rights group released a video of their home under intense police surveillance in February 2011. (Full article...)
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Xu in 1940
Xu Lai (Chinese: 徐来; Wade–Giles: Hsü Lai; 1909 – 4 April 1973) was a Chinese film actress, socialite, and World War II secret agent. Known as the "Standard Beauty", she was active in the film industry for only three years, and quit acting after the suicide of the great star Ruan Lingyu in 1935. Her first husband was Li Jinhui, the "Father of Chinese pop music".
The entrance of Causeway Bay Books. It has been closed since the disappearance of its fifth staff member, Lee Bo.
The Causeway Bay Books disappearances are a series of international disappearances concerning five staff members of Causeway Bay Books, a former bookstore located in Causeway Bay, Hong Kong. Between October and December 2015, five staff of Causeway Bay Books went missing. At least two of them disappeared in mainland China, one in Thailand. One member was last seen in Hong Kong, and eventually revealed to be in Shenzhen, across the Chinese border, without the travel documents necessary to have crossed the border through legal channels.
It was widely believed that the booksellers were detained in mainland China, and in February 2016 Guangdong provincial authorities confirmed that all five had been taken into custody in relation to an old traffic case involving Gui Minhai. While response to the October disappearances had been muted, perhaps in recognition that unexplained disappearances and lengthy extrajudicial detentions are known to occur in mainland China, the unprecedented disappearance of a person in Hong Kong, and the bizarre events surrounding it, shocked the city and crystallised international concern over the possible abduction of Hong Kong citizens by Chinese public security bureau officials and their likely rendition, and the violation of several articles of the Basic Law. In his report to the British government and parliament in early January 2016, foreign secretary Philip Hammond said the incident was "a serious breach of the Sino-British Joint Declaration on Hong Kong and undermines the principle of one country, two systems". (Full article...)
The book received both acclaim and criticism by the public and by academics. It has been praised as a work that "shows more clearly than any previous account" the extent and brutality of the episode, while elements of Chang's analysis of the motivations for the events, Japanese culture, and her calculation of the total numbers killed and raped were criticized as inaccurate because of her lack of training as a historian. Chang's research on the book was credited with the finding of the diaries of John Rabe and Minnie Vautrin, both of whom played important roles in the Nanking Safety Zone, a designated area in Nanjing that protected Chinese civilians during the Nanjing Massacre. (Full article...)
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A page with the formula for gunpowder from the Wujing Zongyao manuscript The Wujing Zongyao (Chinese: 武經總要), sometimes rendered in English as the Complete Essentials for the Military Classics, is a Chinese military compendium written from around 1040 to 1044.
The book was compiled during the Northern Song dynasty by Zeng Gongliang (曾公亮), Ding Du (丁度) and Yang Weide (楊惟德), whose writing influenced many later Chinese military writers. The compendium was published under the auspices of Emperor Renzong of Song, who also authored the book's preface. The book covers a wide range of subjects, including everything from naval warships to different types of catapults. It contains the earliest known written chemical formulas for gunpowder, made from saltpeter, sulphur and charcoal along with many added ingredients. In addition to formulas for gunpowder, the compendium also contains details on various other gunpowder weapons such as fire arrows, incendiary bombs and projectiles, and grenades and smoke bombs. It also describes an early form of the compass (using thermoremanence), and has the oldest illustration of a Chinese flamethrower with a double-action dual-piston cylinder-pump capable of shooting a continuous blast of flame. (Full article...)
Image 2Flag of the Republic of China from 1928 to now (from History of China)
Image 3Photo showing serving chopsticks (gongkuai) on the far right, personal chopsticks (putongkuai) in the middle, and a spoon. Serving chopsticks are usually more ornate than the personal ones. (from Chinese culture)
Image 4Birthplaces of notable Chinese philosophers of the Hundred Schools of Thoughts in the Zhou dynasty. (from Chinese culture)
Image 9Red lanterns are hung from the trees during the Chinese New Year celebrations in Ditan Park (Temple of Earth) in Beijing. (from Chinese culture)
Image 23Gilin with the head and scaly body of a dragon, tail of a lion and cloven hoofs like a deer. Its body enveloped in sacred flames. Detail from Entrance of General Zu Dashou Tomb (Ming Tomb). (from Chinese culture)
Image 28Relief of a fenghuang in Fuxi Temple (Tianshui). They are mythological birds of East Asia that reign over all other birds. (from Chinese culture)
Image 29Map showing the expansion of Han dynasty in the 2nd century BC (from History of China)
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The President of the Republic of China is the head of state of the Republic of China (ROC).
The Constitution names the president as head of state and commander-in-chief of the Republic of China Armed Forces (formerly known as the National Revolutionary Army). The president is responsible for conducting foreign relations, such as concluding treaties, declaring war, and making peace. The president must promulgate all laws and has no right to veto. Other powers of the president include granting amnesty, pardon or clemency, declaring martial law, and conferring honors and decorations.
The current President is Lai Ching-te(pictured), since May 20, 2024. Lai is a Taiwanese politician and former physician, who is currently serving as the eighth president of the Republic of China under the 1947 Constitution and the third president from the Democratic Progressive Party (DPP).
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